Viewing entries in
Music

What Cee be on... Christina Aguilera

Comment

What Cee be on... Christina Aguilera

This is possibly one of my favourite songs of all time. After coming back from living in Canada and travelling around North America, Europe and Cuba, Bekah and I decided to start learning Spanish, and this was one of the songs that helped us. I've never actually seen the video, so bonus, yo.

Conveniently, Christina has a new album, 'Bionic', dropping early June, and here's a random video of the single 'Not Myself Tonight' (no official video yet and the label has ripped down any other videos of the song - makes no sense to me, let people listen, fuckin'!). Little Xtina gets a bit wild on this one. Can't wait for the album.

Comment

What Cee be on... Smashing Pumpkins

Comment

What Cee be on... Smashing Pumpkins

I remember being the only dude (no exaggeration) in my year level at school into Hip Hop, and I repped it HARD. So when everyone was listening to The Smashing Pumpkins, I totally would never admit to liking it. Until now.

I actually bought 'Mellon Collie & The Infinite Sadness' the other day, and this is my favourite joint on the album. That riff is fucking killer.

Comment

What Cee be on... Stone Temple Pilots

Comment

What Cee be on... Stone Temple Pilots

I need a huge #latepass for this one, so excuse me. But these cats are insane. Dunno how I missed them; I was heavy into Pearl Jam, Nirvana, Soundgarden etc back in the early '90s. Either way, this is some classic shit. The whole album ('Core') is amazing. If you dig any of the above bands, definitely check for this.

This joint, 'Plush', is probably their best known single.

Comment

Artist Feature: DJ Rob Swift

Comment

Artist Feature: DJ Rob Swift

This is one man who needs no introduction. Any self-respecting Hip Hop fan will know of The X-Ecutioners, one of the most respected and talented DJs crews to ever rock the 1200s. The recent passing of the legendary Roc Raida has brought the guys to the forefront yet again; well, it's not like they ever left, really.

DJ Rob Swift has just released a brand new album entitled 'The Architect', and it's unlike anything you've ever heard before. Hip Hop, Classical, Turntablism. Actually, let's just call it good music.

I was blessed to do the first Australian interview with Rob (shouts to the homegirl Tamia!), so let's get right to it...

DJ Rob Swift

Cee: Hey Rob, how's things man?

Rob Swift: Things are great!

Cee: First up, I checked out the album. All I can say is 'wow'. This is on some next level shit. What was your main inspiration for it?

RS: The inspiration for "THE ARCHITECT" is the genre of classical music. On past albums, Jazz was the driving force for a lot of my creativity. Listen to my first album "THE ABLIST" and you'll hear songs with live bands. Even the album cover was intended to invoke a feel of the old Blue Note record label. Pick up my second album "SOUND EVENT" and discover tracks like "Salsa
Scratch" featuring jazz pianist Bob James. But this time around, about one month prior to begin working on what would later become "THE ARCHITECT", I discovered the genre of classical music. It made such an impression on me that subconsciously I was thinking like a classical composer, working movements and things of that sort. Once I realized this, I embraced it.

DJ Rob Swift

Cee: How do you feel turntablism and classical music are related?

RS: Both the classical musician and turntablist compose music. Its as simple as that. Obviously, the way we compose our music is different. Turntablists do not read sheets of music. A classically trained pianist or violinist does. However what ties us together is the way sound, rhythm and tempo inspire us to make music in the first place. Both the instincts of the
Turntablist and classical composer guide him on what sources of sound to incorporate into a piece, and so on.

Cee: Why the move to use more classical sound on this project?

RS: I felt the need to reinvent my sound. This was my way of giving my audience something new to look forward to regarding my music. It also served as a way of keeping the process of recording new and challenging for me.

DJ Rob Swift

Cee: Why the decision to only include one vocalist on the album?

RS: Well, I was listening by composers like Beethoven, Mozart and especially Frederic Chopin. Their music captured your attention with out the need of a vocalist. I wanted to achieve the same. I didn't want to use the presence of an MC on a particular song as a crutch!

Cee: What do you expect to achieve with this album?

RS: My goal on all of my albums was to emphasize the turntable is a musical instrument in the hands of the right DJ. For skeptics that didn't believe it when release my prior albums, there's no way than can deny it after listening to "THE ARCHITECT".

DJ Rob Swift

Cee: Was this more of a personal record or something for the people?

RS: I put my heart into everything I do. Thus, this album was just as personal as all my other releases. Likewise, I like to stimulate my audience and challenge the way they hear music so in that sense its for the people!

Cee: How did you meet Mike Patton and link up with his label?

RS: I first met Mike Patton at a show the X-ecutioners collaborated with him on in Canada. This was many years ago. Later on, we recorded an album with Mike entitled "GENERAL PATTON VS THE X-ECUTIONERS". Most recently, I toured with Mike as a member of his band "Peeping Tom". All of this allowed us to develop a strong musical connection. So midway through the completion of my album, I reached out to Mike about releasing "THE ARCH..." And after
listening to a rough draft of the album Mike responded in a very positive way to it and offered to draw up a recording deal on behalf of his label Ipecac Recordings.

DJ Rob Swift

Cee: How did the passing of Roc Raida affect you both as a musician and as a friend?

RS: As a musician, it makes me appreciate what I do for a living even more. It's easy to grow tired of the countless hours spent on planes, trains and automobiles on your quest to tour the globe spreading the word about a particular project. It's easy to get comfortable in what you've accomplished in the past and play it safe, only doing just enough at a show or in the recording studio. But Raida passing away is a reminder that you can't take life and the opportunities life offers us, for granted. Raida showed us that none of us know what's waiting for us around the corner so its important for you and I to give everything we do 110% because after we're
gone our work on this earth is what carries on our legacy. As a friend, Raida showed me the important roll we all play in each others lives. Raida and I motivated each other to be the best DJ, producer, musician and all around person. At times we accomplished this through being creative. Other times we accomplished this did it through it was through working out
creative and personal differences. Our friendship was deep. Tumultuous at times because of the passion we have but full of love as well. We were like brothers! I'll miss him forever and for this reason I dedicated "THE ARCHITECT" to him!

DJ Rob Swift

Cee: Tell us about the live show for the album.

RS: The live show is something you definitely must witness in person. Let's just say you won't be disappointed. I'm usually drenched in sweat by the finally of the show.

Cee: Are you working on any other projects at the moment?

RS: At the moment, I'm working on a DVD documenting "THE ARCHITECT" world tour!

DJ Rob Swift

Cee: What's the plans for the immediate future?

RS: Work, work, work and work some more to promote my album!

Cee: Are you getting down to Australia any time soon?

RS: Thanks to a fine trio of Australians (Tamia, MJ and Aaron - WHAT UP!) I will be touring Australia this May! It'll be my first solo tour their and I'm really excited about it!

DJ Rob Swift

Cee: Any message for the fans?

RS: I'm looking forward to seeing you all at the various shows I'll be having in Australia and please support my new album!

Cee: Thanks for your time man!

RS: Thank you!

DJ Rob Swift MySpace
DJ Rob Swift Website

Comment

Got Beef? Presents: 360 vs Keynote

Comment

Got Beef? Presents: 360 vs Keynote

I ain't seen a good battle for a minute, so the homie 360 gave me some inspiration. Dude came in and absolutely ass raped Keynote from the jump. It's a three verse battle, but just watch 360's last verse - wow. Next level battling.

By the way, Thesaurus and Madness were the main dudes who were there for the battle - they went tag team against 60 and Justice. I'ma post that as soon as they throw it up.

Comment

Drake - Over (video)

Comment

Drake - Over (video)

New Drizzy. Cool shit. Actually starting to look forward to this album, though I have a feeling it won't quite live up to 'So Far Gone'. Here's hoping though...

Comment

Cee & Bekah feat Theology3 - Livin' This Life (download)

Comment

Cee & Bekah feat Theology3 - Livin' This Life (download)

Cee & Bekah feat Theology3 - Livin' This Life

Aight, so this is some FRESH shit right here.

We were lucky enough to work with the big homie Theology3, outta Toronto, Canada. My boy Hustle Beats was putting together his new mixtape 'Borderline', and he hit us up for a joint. I suggested that we work with Theo, who we knew from appearing on his radio show, Stylistik Endeavours, when we were in TO back in '08. Hustle made it happen and BANG, we made a classic.

We recently performed this joint in Melbourne and it went down real well (minus Theo, unfortunately). Cop this track as a FREE download below, and hit us with any feedback!

Download Cee & Bekah feat Theology3 - Livin' This Life

Comment

What Cee be on...The Temper Trap

Comment

What Cee be on...The Temper Trap

Back to my skinny jeans music...

So I've been on The Temper Trap for a minute - an indie rock outfit from Melbourne who are making some serious noise around the globe. However, I've only really gotten into 'em hard lately. These cats are playing in Melbourne in July so I'm already preparing myself for the gig.

Check the video for 'Science Of Fear' above; I tried to lace y'all with 'Sweet Disposition' but the damn thing was barred from embedding (a practice which I still don't understand).

Comment

D2S - All Day (video throwback)

Comment

D2S - All Day (video throwback)

HUGE shouts to the big homie Kebrasca (the dude with the vest and the hair in the above video) for hitting me with this one.

My dude was in a group called D2S back in New Zealand, and this joint, 'All Day', was released in 2002. These cats were pretty big over there - mad gigs, support slots, radio/TV appearances, video rotations, the works. Brasca hit me with this today, so I thought I'd share it with y'all.

My man will be appearing on a bunch of Movement Fam projects coming up, including Notion's forthcoming mixtape 'On The Corner of Notion & 9th: A Tribute To 9th Wonder' - we're releasing the sponsors for this shortly, so stay tuned!

Comment

Music Is My Life, Life Is My Hobby

Comment

Music Is My Life, Life Is My Hobby

by

Tokyo Cigar

Current mood: indescribable
Category: Music

"Durable physically fit raps articulate/ you get your whole skeleton cracked something ridiculous/" DAMN !!! It's a shame that very few artist in the game can still kick shit as visually stunning as that. Ah! Hell on Earth. An album that marked transitions in so many ways it's crazy. The drums havoc flipped still had that stone hard feel ( perfectly described by my man OX as "the type of snare that makes you blink involuntarily when that shit drops" ) , but also sported the cleanness that would eventually dominate mainstream rap's sound. The Infamous Mobb appearance was also significant in the sense that The Alchemist was brought in through their affiliation with DJ Muggs. On a personal note 96 was the year that i came back over here after 3 years of living in Ireland doing the boarding school thing. ( Blackrock STAND UP ) While kicking it with my cousins in London ( where i always spent holidays at ) i saw the review for the G.O.D. father part 3 single in the Source and was feinding for it in Europe but copped it in Greenbelt MD ( Springhill Lake STAND UP ) , so the album also represents a big transitional period in my life being where i went from classy to fly and ashy.

Which brings me to the main point about why music is life for me. I went from balling out in spots like Paris and Knightsbridge to busting my ass working over at Alabama ave in Southeast D.C. and living in the Kirkwood apartments in Hyattsville ( where my man Stix from Franklin ave in B.K. swore that the buildings reminded him of some low rise projects down to the corner store ) and no matter where i was at, Music always had a way of overpowering anything that was going on in life. For example, sticking with the Mobb deep theme. I remember waiting on Grafton Street in the city center of Dublin to link up with this chick i met at the movies. To kill time i jetted up the block from the McDonalds i was supposed to meet her to see what was new at H.M.V. Walking downstairs to where you could find their rap section i walked up and i saw it. The big "IT". Staring me in my dumbstruck face baring a sticker that read IMPORT was the cover of Mobb Deeps "The Infamous". Top 40 shit was bumping through the in store speakers, dozens of people buzzed around buying and selling shit and the only thing that i was aware of was the the bone chilling guitar riff of "shook ones part 2", the relentlessly evil undertone Havoc served up using bass and drums spliced together flawlessly on "cradle to the grave" ( the track that made me start putting vinyl static on my beats for extra ambiance ) and the way that the sample used on "if it's alright with you" ( WHY WAS THIS TRACK NOT ON THE ALBUM )gave me a warm yet sad feeling every time i heard it. Oh! by the way , big up to Tim Westwood for playing these tracks on his show before the album dropped. Needless to say i copped it, stood shorty up ( it's all good cause i was wrong for trying to cheat on my girl any way ) hopped on the train back to school, pressed play and was immediately struck by the haunting string plucks of "start of your ending". ( COT DAMN!!!! THAT BEAT IS STILL HARD AS HELL 12 YEARS AFTER IT CAME OUT ) from start to finish nothing else mattered. On the flipside one day coming home from work in D.C. I was exhausted beyond anything i had experienced before. Rent was looming, stress in the crib and various other things were kicking your boy in the the teeth. Jumping off the greenline train in Hyattsville i was mad tight at the world. I had my headphones off for the train ride cause i was reading ( now and then i go through a bookworm phase ) after exiting the station i threw my joints on cause cars, buses and hundreds of people just as tired as you are is not really a relaxing soundtrack. I skipped the J-Love "Hidden darts" Mixtape to "The Sun" and from the intro( with Ghost talking over lush strings and a flute so serene that it could put anybody in a beautiful coma ) to the outro, nothing else mattered. Rent was still due but music was still more powerful than stress. When the headphones came off the stress was still there but for that little while i was bulletproof to that shit and that is why to me music is life. I read somewhere that Egyptians used to say that music was medicine for the soul and i feel that way too. That's why die hard wu tang fans that never knew each other can stop and have a 40 minute convo with each other based on nothing but the heavy love we got for the killa beez ( whut up Reynard the grandmaster of the wu tang collections )

I thank God for every little good and bad time i had in life cause ultimately it made me a better writer and producer. Cats ask me how i can make sample free beats like "beautiful scarz" that tend to have a lot of emotion seeped in without any formal training. ( shit i flunked music theory class with an incomplete grade ) The answer is this. Any one of my fam that has seen me loose my mind at a show when a certain song drop's or seen me jump out my seat screaming when they hit me with a cd i had been dying to hear, they have the key, which is. I LOVE THIS SHIT. Fuck it. That's all. Solo single no more no less. I'm a fully operational music geek. I'm the dude that reads album credits meticulously cause i want to know everything about that shit cause music just has that effect on me. I don't know if my zodiac sign has anything to do with it. I rock the Aquarius sign ( fellow cats like Dr. Dre famous for his marathon studio sessions know about the love and from what i read about him the late great J Dilla knew too. note: I am NOT comparing myself to these legends so don't go flying off the handle ) and people say that cats like us bang out joints too much due to a heavy love for creativity, but if that's what makes somebody happy why brake that love.

Before i bounce let me hit you with this havoc line that just passed ( I really do got that that Hell on earth shit on the side of me ) "hit you up/ from the waist up/ that's how it is and how it is is kinda fucked up/ but the beats banging/ got your whole click singing/ on the corner while it's ringing/" Life is gonna stay fucked up and complicated but everyone from thugs on the corner to stressed out white kids in mosh pits, to grown folks catching a show by The Manhattans can attest that just TURNING UP THAT GOOD SHIT AND ENJOYING IT always has a good effect.

Peace

Comment

Aloe Blacc - I Need A Dollar (video)

Comment

Aloe Blacc - I Need A Dollar (video)

The man now known in Australia as Maya Jupiter's husband-to-be, Aloe Blacc, has always been a sleeper in my book. I messed with the Emanon project he did with Exile but I wasn't feeling his solo shit that much, until I heard that joint. I swear it was a sample that started it off - but dude has a voice. If this is any indication of his upcoming album, I'm vibed for it. I'm about to go put his solo shit back on the iPod...

Comment

The Movement Fam LIVE @ Evelyn - Part 7

Comment

The Movement Fam LIVE @ Evelyn - Part 7

So here's the final video from The Movement Fam's set the other weekend at Evelyn. This is the first time we'd performed 'Scream At Ya Muhhfuckin' at the end of a set, and it went down amazingly well, so I reckon we'll keep rockin' it to end on a high...

Melbourne heads, just a reminder, hit us up for tickets to our next gig on April 23rd at Espy Gershwin Room, supporting the Impregnito EP Launch! Should be HUGE!

Comment